Mankind has been permanently fixed in costume, costumes and masks for most of its existence. Lux Interior, lead-singer/front-man rockabilly group, The Cramps, wrote a song called: What 鈥 檚 behind the mask? And I think part of the secret 鈥 檚, masks, costumes, costumes, clothing and various outfits that hide the identity of the man or woman behind the mask / costume pose questions, and questions are sexy. The answers are the province of boring and arrogant, sacred traffickers who are too stupid, and decidedly unattractive, to think critically, and getting the questions that challenge things, involving at least a modicum of wit. Herein lies the charm, attractiveness, the mask, the mask is synonymous with the issue, a signifier that represents the sensuality of the question, the mystery. When the mystery becomes a delicate goods in our homogenized world of reality TV-like exposures, we lose something valuable for humanity, we lose the beauty of the question. This treatment of the mask, and the question we are asked to face, I was brought to Venice and the Venice Carnival. Each year in Venice, Venice is invaded by multiple masked revelers who take over the city, between the two weeks before Ash Wednesday, and the festival ends on Shrove Tuesday, a day before Ash Wednesday. Therefore, the Carnival lasts about two weeks 鈥 檇 hard pressed to find a significant amount of masked people anywhere in the city of Venice. The Venetians know the importance and attractiveness of a huge question mark. As I checked into my hotel, one of the hotels targeted at festivals in Venice, was influenced by the immensity of fun. Everywhere you could go is full of question marks or masks, and the city is alive like no other in this time of year. All Venice hotels are plentiful, with masked revelers, and the streets were crowded, and the noise is noticeable. One thing can be said about arguably the Venetians: they sure know the essence of sensuality, fun and mischief, is in his bones!

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